LIQUID TENSION EXPERIMENT - In the Studio -
November 1998
LIQUID TENSION EXPERIMENT - On the Road -
January 1999
LIQUID TENSION EXPERIMENT - Tour Diary
January 21 - NYC.
Start of the Liquid Tension tour -
Next week�s events in L.A: King Crimson DVD release, Hollywood RockWalk event,
Stick night, and the NAMM show.
Tonight, at the Bowery Ballroom, was the first (ever) concert of Liquid
Tension Experiment. We (Mike Portnoy, John Petrucci, Jordan Rudess) had only
two days to rehearse, and the music is very complex, so mistakes were expected
(at least from me!) Nevertheless, it was a fine show - my first exposure to
the enthusiastic Dream Theater audience, who helped me and the band make it
though a night of many many notes. Aside from learning the previous album, we
decided to do some material from the new, yet to be released one.
Tomorrow (Friday the 22nd,) we'll be playing at the T.L.A. in Philly - I hope
that will be as successful as the first.
Next week in Los Angeles, I have two 'events' on Wed. the 27th. First, at
noon, on the sidewalk in front of the Hollywood Guitar Center, I'll be putting
my hand prints (along with some other bassists) in their "Rock Walk" I'm
hoping they�ll let me wear funk fingers for the thing - it'll certainly give
my prints a unique look.
That night is a press party, with invitations to "Collectors Club" members,
for "Deja Vrooom," the new Crimson DVD. The new release has, among other
things, a long biography of the band, written by Robert Fripp. It has many of
my home movies of the band on the road. And concert footage, which I'm told
can be viewed from different angles. Also there is a version of "21st Century
Schiziod Man" which enables the viewer to mix up different incartations of the
band and have them play together. Since I don't have a DVD player myself, I'm
looking forward to the event, which will be my only chance to see these
things.
I�ll update this page with photos from all these.
On Thursday, the 28th, there is a "Stick Night" at a club near L.A, with many
Stick players on the bill. Though I'm not playing at it, I'll try to attend.
It's at a club called La Ve Lee in Studio City.
The NAMM show is a music retail biz show, with many musicians and equipment
manufacturers enclosed in a large building for four days! I'll be at the Trace
Elliot booth (which this year is in the Gibson display) greeting people, and
somewhat trying to place my new book with some music stores. Liquid Tension
will be playing a concert for Sabian Drums, on Saturday the 30th.
Still in L.A, another public show of Liquid Tension will be at the Roxy, on
Feb. 1st. We're trying to tape it for a possible live cd, since it's unlikely
there will be more shows of this group.
More shots and updates tomorrow after the Philly gig.
January 22 update - Philadelphia
( it�s late at night, so really it�s the 23rd.)
Alas, with the second show, the East Coast tour has ended! More exciting
music, more wrong notes from the bass player (actually, I�m only playing the
Stick in this band, which makes it a bit easier to keep up - so maybe it�s not
me making those mistakes?!) and more photos taken from stage (including one I
took of Mike when we were supposed to be duo-ing together.)
January 31 update - LA
Those of you who are musicians won't be surprised by the less than methodical
events of Saturday -- others usually think that shows go like clockwork - you
set up, you play. The event of the day was Sabian Drums presenting a night of
drummer-oriented bands, including Liquid Tension with Mike Portnoy. Because
we were scheduled to be the last act (going on at 1am) we had the first
soundcheck - 11 in the morning. Hours later, at 2:30, with the sound still not
adjusted, and John and Mike late for an appearance at the NAMM show, we
finished up the soundcheck and all ran over to the show. It was the weekend,
and NAMM was quite crowded and noisy. As before, I ran into some friends and
checked out equipment. I returned at midnight for the 1am concert. We
waited... and waited... finally at 1:40 in the morning, as Liquid Tension went
on the stage, the stage manager told us we could play only a half hour (we'd
planned an hour show.) We went onstage, readjusting our set to be shorter, and
as we began the first piece, the guitar amp and pedals self-destructed.
Throughout the show, John Petrucci had to keep working on his equipment, while
trying to play. I'm sure he was grateful when, at 2:15, it ended. Not that the
show was all bad - but we had spent 3 hours trying to prepare the sound for a
half hour show, and the equipment failed us!